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Introduction
» EXTIF Pro
» Virtual Printer Driver
» System Requirements
» Installation
» Uninstallation
» Demo Vs Full Version
» Registration
Using EXTIF Pro
» TIFF Format
» Comparison
» Easy Printing with EXTIF Pro
Property Pages
» Property Pages
» Page Orientation
» Paper Format
» Resolution or Print Quality
» Scaling
» File Name of Output Files
» Default Path
» Compression
» Color Space & File
» Color Profile
» Gray Excerpt
» Trimming
Advanced Options
» Image Viewer & Image Processing Programs
» Behaviour Differences
» Huge Files
» Canceling Running Printing Processes
» Acknowledged Incompatibilities
Configuration File Exiitif Pro.in
» What does EXTIF pro.ini Offer?
» How is EXTIF pro.ini Structured?
» Paper Format Sections
» Imprint Sections
» PrinterStatus Sections
 

Behaviour Differences

Let’s suppose you are printing a document that contains an embedded image (here for instance blossom with inserted yellow writing) and also some “normal” text outside of the image;

Embedded Image

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at resolution 600 dpi on EXTIF pro. An amateur would perhaps be surprised, when viewing the result on a screen, that the outlines of the letters outside the inserted picture always remain sharp, regardless of the selected resolution, while the embedded picture appears increasingly blurred with increasing resolution:

Increasing Resolution Effect

The text that you are currently reading represents a so-called vector graphic: The outlines of each letter or symbol of a certain font are known to the operating system as geometrical objects and figures such as straight lines, circles, squares, ellipses etc., like this:

"Draw a straight line of 17 length units from the starting point in the lower left corner towards the right, then 8.3 units upward, from there draw a circular arc of 5.1 units radius length by 30° in clockwise direction, then, from there, 11 units to the right, etc., until you get back again to the starting point. Then fill the enclosed area with the selected color and, on a differently colored background, the letter will become visible.”

All of this, however, does not take place in a real physical space, but in an abstract mathematical space. Therefore - and this is crucial for the following train of thought - the mentioned length unit does not have any physical dimension such as meters, mm, inch or miles. It is likewise abstract, therefore you can assign any arbitrary longitudinal dimension to it, thus also the longitudinal dimension "Pixel". A square is always a square, no matter if its edge length measures 5 meters, 5 inches, 5 pixels or 137 dots. The outline sharpness remains completely unaffected.

When drawing or rendering, the graphics engine simply adapts the abstract length unit to the selected resolution (in pixels or dots) - the outline sharpness, however, remains consistent.

The embedded image along with the inserted writing, however, represents a matrix graphic, i.e. the graphic object "image" is represented by a matrix (table) of pixels. Schematically represented so:

Line

...

Column 1 2 3 4 ...

1 green lemon yellow purple blue
2 yellowlight green red turquoise
3 dark green pink black light green
4 white gray red pink

For each pixel, characterized by its position in line/row and column within the matrix, table or dot raster, there is only one color information. If a picture, which appears sharp to the eye, is printed as it is displayed on the screen at 96 dpi resolution, the same picture, at a higher resolution, e.g. 600 dpi, then the 96 color information of the document must spread themselves over 600 pixels of the image file. Therefore the information density, i.e. the number of color informations per physical linear or area unit, is reduced. Consequently the picture seems blurred when viewed on a screen with 96 dpi resolution - instead of displaying it, according to its purpose, on an exposure device or a printer.

With exposure devices or printers, on the other hand, it is a totally different situation, as the device can adjust itself to the resolution of the image file - in contrast to screens, which operate at fixed, pre-set resolution. Exposure devices and printers can also actually represent one inch of the picture on one inch of the film, or of the paper respectively, and not on 600 / 96 = 8.33 inches as on screens. Therefore, no blurring actually appears on film or paper, although the same matrix graphic in the same image file appears to be (but is not!) blurred when viewed on the screen. And again, the truth lies on the paper and not on the screen.

Actually, it is not that the matrix graphic loses sharpness on film or paper when compared with the original document, but the vector graphic gains sharpness on film or paper in comparison to the original document!

Pixelation on certain fonts

Now if the graphics engine (GDI) of your operating system should be forced to treat characters, which usually represent vector graphic objects, as matrix graphic objects, because a certain font is improperly installed on this operating system, then Pixelation will occur.

The middle writing line in the following illustration shows this phenomenon very clearly:

Illustration

If, on your computer, certain Fonts should show Pixelation effect, which occurs quite rarely, but nevertheless every now and then, this is not due to EXTIF pro printer driver, but to the interaction of Font and GDI, of which you can convince yourselves easily, by

  • either printing the same document on paper, using your "normal" (physical) printing device, and observe the same Pixelation effect in this process
  • or using another Font in the document, whereupon the Pixelation will no longer occur
  • or by printing the same document with EXTIF pro´s demo version on another computer, whereupon the
    Pixelation will no longer occur.
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